Archive for September, 2009

As I’ve researched more into the world of medieval Scotland, my interest in other fiction set in medieval times has grown.  I was lucky enough to find Nan Hawthorne’s site Medieval Novels which aims to be a comprehensive list of fiction set in medieval times.  She has arranged her page in several helpful ways– by time periods, by genres (mystery, fantasy and time travel, for instance), by region, by historical figures, by new releases.  Whatever time, person, or genre interests you, there is a category.  I found a wealth of books, new and old, set in all parts of the medieval world; books by well-known authors and books by newer authors. 

For a Shelfari group discussion, I did some research into medieval fiction specifically with strong musical themes, settings, or characters.  I found very few.  In addition to my own novel, which centers on the star member of a modern orchestra, and a harp-playing medieval warrior, there is Rose Tremain’s Music and Silence, set in 1600′s Denmark.  Her central character is the angelic-faced Peter Claire, lutist.  It is a fascinating look at the life of a court musician, and King Christian IV of Denmark.   If you like the dream-like, wandering style of writing, this book will definitely appeal to you.   Although not my favorite style, I did enjoy the book.

There is also Norah Lofts The Lute Player: A Novel of Richard the Lion-Hearted, king of England in the last days of the twelfth century.  It focuses on Richard’s lute player, Blondel, and his mother, Eleanor of Aquitaine.   I have not read this book, but Norah Lofts is a prolific writer with a strong reputation in the field of historical fiction, and I believe it would be well worth my while to track down a copy (it was published in 1951) and give it a try.  I’d be interested in hearing from anyone who has read it.

There are certainly hundreds, even thousands, of books on either medieval times or musical themes, but finding ones that combine the two seems to be a needle hunt in a haystack.  If you, the reader, know of others, please leave a comment.

Hogmanay is a Scottish celebration that occurs in The Minstrel Boy, book 2 of The Blue Bells Trilogy.  It is the Scottish New Year’s Eve celebration, although by all accounts, much wilder than how your average American rings in the New Year.

With roots going back so far that the origin of the word itself is no longer known, but it originated in deep winter celebrations of sun and fire, and moving from there into the Roman Saturnalia, a Baccnalian event if ever there was one.  The Reformation drove much of the Hogmanay celebrations underground until the 17th Century, and in recent years, they have become far more extravagant even than what most of the 20th Century knew. 

Hogmanay celebrations these days are large events, often held at castles.  They include music of all sorts, rock bands, pipe bands, drinking, revelry, lots of kissing– it is New Year’s Eve, after all–fire ceremonies, swinging fire balls, fireworks, and singing of Auld Lang Syne.  In smaller towns, Hogmanay may be celebrated with ceilidhs (dances).

One youtube clip shows “1000 Pipers” marching down the Royal Mile outside of Edinburgh Castle: 1000 Pipers

Be prepared: this is a lot of bagpipes!  And I’m saying that like it’s a good thing.  It’s quite a sight to see so many marching in their kilts and sporrans, all playing together.

Scottish History at Suite 101 explains the reasoning behind the “first footing” tradition of it being considered good luck for the first person to cross your door at midnight to be a tall, dark-haired man: in the days of the Viking attacks, you didn’t want to see shorter, blonde men.  They were often raiding, pillaging, and raping.

Interestingly, as I search for details on how Niall might have celebrated at Glenmirril, I find that, with the exception of a few sketchy paragraphs about old traditions, and no details as to just how old those traditions are, there is virtually nothing.  There is plenty about medieval Christmases, but no mention of Hogmanay in the same period.  As Niall lived just after the days of the Viking raids, he may have still been celebrating very much like their Yule, which is also thought to have been a strong influence on Scottish Hogmanay.  He lived long before the Reformation that drove it underground, so chances are high that he did in fact celebrate it.

The past week has been hectic, to say the least.

Blue Bells of Scotland was officially published just over a week ago on Friday, September 11, 2009.  Within 2 days, it was live on amazon.  It took another 2 days before it was searchable by title, author, and ISBN (because lots of people search by ISBN numbers– actually, that was the first thing by which it could be found.) 

On the following Monday, Buffalo Books agreed to sell copies.  They will be available there soon.

Within 6 days, it was uploaded to Kindle, and should be available there soon.  It can be found at Barnes and Noble’s web site. 

On Wednesday, my writers’ group, Night Writers, briefly discussed further plans for our joint appearance at the Maple Grove Library’s Author Talk on December 8. 

 By the following Friday, September 18, my copies had arrived, so it is now available from my website.

There are several days left on the give-away at goodreads, for anyone who would like to sign up.  The site will do a random drawing, on September 24, of all entrants, and send me the names of the winners.  Blue Bells can also be found at Shelfari and LibraryThing

And in the meantime, I am working on draft 2 of the sequel, The Minstrel Boy.  I’m currently in the graveyard just below Stirling Castle, late at night with the revelry of Hogmanay going on in the castle courtyard above, looking at tombstones with the name Campbell on them, and about to find out something unexpected about the crucifix Niall left Amy.

What jumped out at me, the more education I got, was how much there is to know, and how little of that any one person can touch even in a lifetime.  There’s a vast world of knowledge in just one small corner of one subject– say learning all about jazz as a music major.  There’s jazz history, jazz musicians, jazz theory, arranging, instrumentation, the evolution from one style of jazz to another, a wealth of scales and arpeggios and chord structures and progressions to learn, to use either as a composer or as an improvising musician.  Now expand jazz to the whole field of music.  Now expand music to all of a society’s culture in general– art, literature, fashion.  Add to that sciences– medicine, physics, chemistry and more– and a multitude of skills necessary to keep society running smoothly.  If you love to learn, you will never run out of things to study.

Today’s question was another seemingly simple question: what might the chapel at Castle MacDougall look like?  In my initial draft, I called it ‘gothic.’  But then I decided I better check the years in which architecture was actually considered ‘gothic.’  It turns out the years are accurate: gothic architecture began in the 1100′s in France, and spread out to the rest of Europe, continuing into the 1500′s. 

But Europe is a broad term, and it turns out even gothic is a relatively broad term– if you want to be specific (or is that picky) about it.  I like to be, and found, in the process, that there is great regional variation in what the word means. 

A gothic cathedral in France, for example, would likely be built out of limestone, and feature a narrow transept, the crossarm which divides the long nave (where the pews are) from the choir.  Its eastern end– the choir– is likely to be polygonal with a ring of chapels (a ‘chevet.’)  The cathedrals of this time in France are more often found as ruins out in the country– because the prevalent order, the Cistercians, liked to build farther out.

A gothic cathedral in England, by contrast, may well be built of not only limestone, but red sandstone, dark green Purbeck marble, and timbered “hammer-beam” roofs.   Its transept is likely to have strongly projecting arms, compared to France’s rather narrow ones, its eastern end is going to be square, and the whole structure is probably going to be in a town, where England’s dominant order, the Benedictines, liked to build.

Typical of gothic church construction are pointed arches, ribbed vaults, and flying buttresses.  They exaggerate height and emphasize light.  I found this particularly interesting, as the word gothic, today, tends to have darker connotations.  Gothic fiction, for example, combines romance and horror.  A wikipedia article on gothic fiction says: The ruins of gothic buildings gave rise to multiple linked emotions by representing the inevitable decay and collapse of human creations.  And: Gothic writers often associated medieval buildings with what they saw as a dark and terrifying period. Gothic fiction features such ‘light’ themes as hauntings, madness, doubles, decay, death, mystery.  Where are you, Edgar Allen Poe!  The cast includes a variety of madmen, evil-doers, and creatures of the night such as werewolves, demons and vampires, who you would most likely not want as your neighbors.  (Then again, maybe you would.)  (http://en.wikipedia.org/wiki/Gothic_fiction)

Gothic fashion is typically dark, even morbid.

The word gothic, as applied to the architecture itself, was originally an insult, meaning barbaric or rude.

And yet, with the word gothic having so many dark and negative connotations,  the hallmarks of gothic architecture are light and height.  Solid walls have been replaced with rows of roof-supporting columns that let light flow through the building.  Ceilings soar high, with clerestory windows that pour in light.  The height and vertical emphasis give a feeling of lifting to Heaven, or airiness and lightness (in the other sense of the word.)  I personally find gothic cathedrals to be incredibly beautiful.

Gothic Cathedral

Gothic Cathedral

…all of which brings us back to the chapel at Castle MacDougall. 

A castle chapel is not a cathedral.  What applies to Europe between the 12th and 16th centuries is not necessarily accurate for the west of Scotland in 1314.  And even if it does, could the thieving MacDougalls, the Darth Vader of the 14th century, really have a beautiful, light and airy chapel?  It would be an interesting contrast to the character of the MacDougall.  Maybe that’s exactly what he will have.  Then again, maybe not.

It’s been fun, but right now, I’m back at square one.  Next I’m going to research specific churches of the thirteenth and fourteenth century Highlands.  And we’ll see what MacDougall’s chapel looks like in my head in a few days.  At least I know what Amy finds there!

What do you think MacDougall’s chapel should look like?

In our day and age, we’re used to having– or at least thinking we have– clear cut answers.  We can visit a library, read a newspaper, turn on the news, plug in keywords on google.

When it comes to historical research, however, especially going back to medieval times and further, the answers are not always clear cut.  Today, for instance, my question is one I thought would be simple: when Niall jousts, what would be the colors on his banner? 

There is a wealth of information out there.  The question is how reliable it is.  Zazzle, for instance, has Campbell crests and badges on a variety of objects.  I’m not sure I’d take those as historical fact.  Some other sites selling a variety of items with the Campbell family crest show both red and white, and blue and gold.  I double-checked the pictures I took at the Bannockburn Heritage Centre, and found that the shields they show are for James Douglas, Edward Bruce, Sir Robert Keith, and Sir Thomas Randolph.  While Neil Campbell was an close friend of Bruce’s, he was not one of the commanders of the four main divisions, so his shield is not listed.

One source, on google books, states, of a very early Campbell,  ’his coat-of-arms is unknown.’  Further reading in this same book tells us that some of the seals do feature the ‘famous Campbell gyrons.’  By the mid 1400′s, the Campbell shield was ‘gyrons undifferenced’ or ‘Gyronny of eight argent and sable.’ 

Now we have more questions: what is a gyronny and what is argent?  This is easy enough to find out.  A gyronny of eight is a shield divided into eight ‘slices.’  Moving on to another site, I found a number of shields labeled with the name of the pattern and the colors.  ‘Argent and gules’ is red and white.  ‘Sable and argent’ is black and white.  ‘Azure and argent’ is blue and white.

So it seems the Campbell seal was a shield divided in eight ‘slices’ of alternating black and white, although the coat of arms is unknown– according to this source.

One source says that in later years, the boar’s head came to be on the crest, but apparently not as early as the beginning of the fourteenth century.  Another source is very clear in its statement that the Campbells came to Argyl from Perthshire in 1221 and ‘had always’ had the boar’s head as their crest.  The full story behind the boar’s head as the crest is quite interesting, but that’s another story.

In the world of tartans, I find that the Campbell colors are blue, green, and black.  This, however, would probably not be on Niall’s banner as he jousts.

Another problem with research is the tangents on which you may find yourself traveling, as, for example, looking up new terms such as argent, gules, gyronny.  The Web is a perfect name for the internet.  I can easily get caught in the fascinating information available, and spent some possibly unnecessary time looking over this site: http://www.heraldsnet.org/saitou/parker/Jpglossa.htm This is a glossary of terms used in heraldry.  Very interesting.

Yes, Longshanks… a fine name.  If it weren’t too late, I’m sure I’d name my firstborn Longshanks.  Actually, his father, Henry III of England, named him Edward, when he was born in June of 1239.  He later became known as Longshanks due to his height, and Hammer of the Scots for his treatment of the Scots.

Alexander III was the king of Scotland from July 1249, at the age of 8, until his death in March of 1286.  Because he had married Margaret of England, Henry III’s daughter, Henry had already demanded homage from the Scots, which Alexander refused.  Scotland had long been a kingdom in its own right.

By March of 1286, Alexander had been widowed, his two sons had died, and his daughter had gone to marry the King Erik II of Norway, given birth to a daughter, and died.  His only heir, therefore, was his granddaughter, Margaret.  So, on a dark and stormy night in March of 1286, Alexander, having remarried, was determined to reach his new queen in Fife.  Despite warnings from his advisors, he went ahead.  In the dark, his horse fell down a steep embankment, and Alexander was found dead, at the age of 44, from a broken neck.

When his unborn child by his new queen was stillborn, his granddaughter, the Maid of Norway, was sent for, as the new Queen of Scotland.  She died on the way to Scotland.  Some sources say she was as old as 7, some as young as 4.

It is at this point that Edward I– Edward Plantaganet, Longshanks, or Hammer of the Scots, as he is variously known– comes into the picture.  Without a clear heir, there were a dozen claimants to the throne of Scotland, six of whom had any really serious claims, and two real contenders: John Baliol and Robert Bruce, father of the better known Robert the Bruce.

The Scottish lords asked Edward I of England to choose, in order to avoid contention.  He agreed on the condition that he become Scotland’s overlord, basing his claim on Alexander’s homage to his father some years ago, although that homage was only for certain lands Alexander held within England.  The Scots agreed only that Scotland would be Edward’s until a rightful heir was chosen.

Longshanks chose Baliol, believing he had chosen a weak man whom he could control, and then continued to assert his authority over Scotland.  When Baliol refused to send troops for Edward’s war in France, Longshanks stormed north to subdue the Scots in 1296.

Thus began the years of war between England and Scotland, continuing through the days of William Wallace of Braveheart fame, and past the death of Longshanks himself in 1307. 

Under Longshanks’ son, Edward II, the Scots gradually regained all Edward I had taken, until Stirling was one of the few Scottish castles remaining in English hands, and it was for Stirling that the battle of Bannockburn was fought on Midsummer’s Day in 1314.

In a nutshell, the Battle of Bannockburn was one of Scotland’s greatest moments– perhaps the greatest.  It was the battle, in 1314, in which Robert the Bruce, with approximately 5,000 men, including a small contingent of light cavalry (read: ponies) completey routed the massive army, perhaps as many as 20,000, including 2,000 heavy warhorses, or Edward II of England.