Archive for May, 2010

A rose by any other name…. 

Even the briefest study of the bluebell, after which the folk song, Arthur Pryor’s showcase trombone solo, and my own novel, are named, reveals many monikers: campanula rotundifolia, Endymionin Latin, harebell, lady’s thimble, fairy thimbles, aul man’s  bells, witches’ bells, the wild hyacinth, Dead Man’s bells, milk-ort (milk herb), or its common name, bluebell.  This, by the way, is probably still not a complete list. 

And yet, it is not the same as the English, or common, bluebell, the hyacinthoides non-scripta.  And despite its name, the Scottish bluebell is not always blue, but comes in shades of purple, pink, white, and cream.

In strictly factual terms, the bluebell grows in clusters of bell-shaped flowers, a perennial which blooms from spring well into the fall, sometimes as late as November.  They are a favorite of hummingbirds, and pollinated by bees, although they are capable of self-pollination.  It is a woodland flower which may spread quickly, but will also grow in cracks in cliffs or walls, and on grasslands and heaths.  They are a hardy flower which thrive with either sun or shade.

As a writer, I find the history, symbolism, and myths associated with the flower far more interesting.  The bluebell, or harebell, is the official national flower of Scotland, although many sources also list the thistle as Scotland’s flower. 

Symbolism:

Humility, constancy, gratitude, and everlasting love in Scotland.  It is also associated with death in Britain and is often planted on graves.

Myths:

Fairies: Bluebells are strongly associated with fairies, as it is said that the fairies ring these tiny bells to summon their people to the fairy convention.  The fairies were rather protective of their bells, and would cast spells on anyone who damaged or picked bluebells, which would explain why it was considered unlucky to walk through a field of bluebells.  What better way to damage them and call down the fairies mischievous spells on your head?  According to others, fairies used the bluebell to trap passersby, especially children.  Some sources say that the bluebell’s properties allow mortals to see fairies, or see into the world of fairies.

Witches: Others claimed that witches turned themselves into hares to hide among the bluebells, explaining not only the hares rampant in the flowers, but bringing about the name harebell.  Some said if you heard the bluebell ring, someone close to you would die.  The bluebell produces a white juice, which was said to be used by witches both for a ‘flying ointment’ and to transform themselves into hares.

Moon Goddess: Wandering farther afield from the British Isles, the bluebell is associated with the shepherd boy Endymion.  The moon goddess, variously called Seline or Diana, fell in love with him and cast an eternal sleep on him so that she could enjoy his beauty alone, forever.

A path between worlds: Most interesting to me is the belief that the bluebell ‘thins’ the walls between worlds and realities.  Folklore warns of the danger of becoming lost in strange states in fields or woods of bluebells, and needing to be led out by another.  One writer suggests that perhaps they do exist in multiple worlds at once: a fascinating reminiscence of the pools between worlds in the Narnia series.  In Blue Bells of Scotland, Niall and Shawn each go to sleep in the castle tower, seven centuries apart, with bluebells present, and wake up in one another’s times.

Medicinal:

The bluebell is, according to many sources, a poisonous plant, once used in ancient alchemy.  Interestingly, its properties are currently being researched for medicinal uses. 

Other sources say that the bluebell is not only edible, but has healing properties, having once been used by the Cree, Chippewa, and Thompson Indians and others, for various purposes: heart, lungs, eyes, and ears; to stop bleeding and reduce swelling; as an anti-depressant, anti-fungal, and a concoction to increase milk supply in new mothers.  It is also associated with preventing nightmares and curing leprosy, tuberculosis, and spider bites.  Quite a lengthy list for one little flower!

I will add, however: Do not try this at home, kids!  It is not medical advice, it is strictly a report on what other sources say.

Association with St. Dominic:

As yet, I have found only that the bluebell is associated with Roman Catholic beliefs and St. Dominic de Guzman, founder of the Friar Preachers, but not why.

I like to think that there is wisdom to be gleaned, lessons to be learned, from everything around us.  In the bluebell, I see a great deal of human nature: the contradictions in all of us, the multi facets, and the fascinating stories that lie, waiting to surprise us if we only stop and listen, behind the most humble of exteriors.

In an unintended instance of art imitating life, Blue Bells of Scotland opens with Shawn Kleiner marching in to audition for the position of second trombone, and walking away as the new principal player.  Though I was not aware of it at the time I wrote it, the scene could have been taken directly from the life of Arthur Pryor, the original “Greatest Trombonist in the World.” 

In 1892, the 22 year old Arthur Pryor from Missouri, self-taught on the slide trombone, arrived in New York City at the invitation of John Philip Sousa himself.  At the first rehearsal of Sousa’s brand new concert band, Pryor so stunned the musicians with his virtuosity that the first chair trombonist, Frank Holton (for all the musicians out there, yes that Holton) offered to hand his position to the young newcomer.  Sousa convinced Holton to stay, but in 1893, Arthur Pryor did assume the official position of featured soloist with the Sousa band.  Over the next ten years, he performed 10,000 trombone solos with the group.

When Shawn’s teacher refuses to teach him the Arthur Pryor piece, Blue Bells of Scotland, he teaches himself.  In this, too, he imitates Arthur Pryor.  In Pryor’s 19th Century America, the slide trombone was a novelty.  When one was given to his father, the town’s bandmaster, as repayment of a debt, nobody in the town knew how to play it.  They had only ever seen valve trombones.  Pryor’s father gave it to him and told him to figure it out.  He did, discovering the system of alternate positions known to all advanced trombonists today.  (It would be five years before someone told him the full length of the slide, all seven positions, could be used, not to mention passing on the helpful information that the slide really ought to be oiled!)  

Ten hours of practice a day, however, in combination with his alternate positions, left Pryor so adept that he became a hit at county fairs, under the moniker of “The Boy Wonder of Missouri.”  This led to a midwestern tour with Allessandro Liberati, and a similar offer from Patrick Gilmore, (which he declined, as he’d already accepted a job as pianist and music director of the Stanley Opera House in Colorado.)  It was after this that he received the telegram inviting him to play for John Philip Sousa, and still later that he began working with recording.

Though a prodigy and well-known band leader and musician in his own time, what Arthur Pryor is largely remembered for today is his arrangement of Blue Bells of Scotland, an old Scottish folk song.  Amazingly, he did this arrangement probably at the age of 18 or 19, when he’d been playing the instrument only 3 or 4 years himself. Bluebells demonstrated what a slide trombone could really do, featuring quick tempos, lots of sixteenths and triplets, double-tonguing, octave jumps, a three and a half octave range from pedal G’s an octave below the bass clef staff to high C’s in the treble clef, and, of course, the beautiful lyric statement of the original melody, which shows off the trombone’s beautiful tone.

Arthur Pryor inspired interest in the trombone with his virtuoso playing, and Bluebells of Scotland in particular has been a standard of trombone literature for decades, and a favorite challenge for advanced players.  It has been performed and recorded byJoe Alessi and Christian Lindberg, today’s “World’s Greatest Trombonist,” among others.